Embodied/Embodying Performer Training: Practices and Practicalities

Embodied/Embodying Performer Training: Practices and Practicalities

By Music, Performance and Media Research Unit

Date and time

Wed, 24 Apr 2019 11:30 - 18:30 GMT+1

Location

ATRIUM, Zen room

Adam Street Cardiff CF24 2FN United Kingdom

Description

Embodied/Embodying Performer Training: Practices and Practicalities

TaPRA Performer Training Working Group Interim Event

Wednesday 24th April, University of South Wales, Cardiff Campus, The ATRiuM

This is a one-day event, with tea/coffee and lunch included and all participants must be TaPRA members. If you are not currently a member, you will be asked to join the organization at the interim rate of £15/£10 via http://tapra.org/join-tapra/ before the date of the event.

Keynote Speaker: Kaite O’Reilly ((Writer, Theatremaker, Dramaturg)

Invited contributors: Prof Phillip Zarrilli and Sara Beer

Wine Reception and response to the day from Working Group Conveners, Kate Craddock, Jane Turner, and James McLaughlin


Itinerary

- 11:30-12:00 Student performance – Foyer

- 12:00-12:30 Registration, lunch – Foyer

- 12:30-12:40 Welcome

- 12:40-13:40 Keynote: Kaite O’Reilly

- 13:45-14:45 The Llanarth Group (with Prof Phillip Zarrilli, Kaite O’Reilly, and Sara Beer), presentation of work, and panel discussion

- 14:45-15:00 Tea, Coffee, and Welsh cakes

- 15:00-15:45 Lecture: Prof Phillip Zarrilli - 'Acting without ‘meaning’ or ‘motivation’: a phenomenological account of acting in the pre-articulate present'

- 15:45-16:30 Session 1 – Embodiment: Connections and Disconnections

- 16:30-17:30 Session 2 – Embodying Dramaturgies and Drama

- 17:30-18:30 Wine Reception and response to the day from Working Group Conveners, Kate Craddock, Jane Turner, and James McLaughlin with Denis Cryer-Lennon, and Sarah Crews of University of South Wales.

Organised by

USW’s research in Music, Performance and Media is based in central Cardiff, the UK’s largest centre for screen production outside London. Our outputs are varied from award-wining feature-length documentary films and photographic exhibitions to major cultural monographs analysing creative texts and cultural processes. Our research is collaborative and multi-disicplinary by nature reflecting the reality of creative production in the creative industries.

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